“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe when you look at the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s most filmmakers that are revolutionary September 6-8.
A director, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship from the Polish Communist regime regarding the belated ’70s and very early ’80s for their unabashedly governmental works. Szulkin’s films that are profoundly imaginative be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility in addition to evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction films. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.
Among the largest retrospectives of their work to date, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new restorations that are digital brought in movie images. The series showcases each of Szulkin’s features, including his audacious cult classic Golem , often considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining regarding the H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of the nuclear apocalypse while they await a mythical Ark to truly save them from their dire situation; Szulkin’s research of female sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered on a objective up to a police state hell earth; and Szulkin’s last movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland when you look at the aftermath of this Communism Szulkin criticized throughout their job. Furthermore, the retrospective will emphasize Szulkin’s film that is short, such as the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute ny.
Organized by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and tend to be $15; $12 for students, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center people. Save with all the purchase of three seats or higher.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests occur in the Walter Reade Theater (165 West Street that is 65th otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages religion, their state, as well as the concept of the family that is nuclear.
Preceded by: New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin depicts six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet is now therefore wonderful that only prisoners are utilized for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for an apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously like a dilapidated, postapocalyptic world, where he could be welcomed by the population as a “hero,” an ignominious honor, he quickly learns, that is included with a many fate that is barbaric. Taking the film’s properly nonsensical name from the babble of their child daughter, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, researchers try to produce a fresh, flexible battle of people. an apparently ordinary product associated with effort, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function first, styled in sepia tones and dramatic lighting, happens to be known as a precursor to Blade Runner , but its title additionally appears back again to a far more ancient misconception of creation and morality.
Preceded by: brand brand New digital restoration The Gal as well as the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter utilizing the devil, set to your Polish ballad of the same name and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic vision with a brand new http://www.rubridesclub.com dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician whom devoted their career to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
Brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark which will deliver them from their living hell—a misconception propagated by the powers that be, and distribute, to some extent, by the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to push away total collapse. Doing work in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts using the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) since the sound of the 1984 propaganda machine that is-esque. However when Iron dares to set off message, he makes an enemy also higher than the aliens: the state it self. Released just like Poland was being plunged into martial legislation and straight away prohibited, The War for the Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm